. "Generated by Triplify V0.3 (http://Triplify.org)" . . . "2006-03-17T10:26:28"^^ . "about" . "\"IMG_0027.JPG\"[In Plain Sight] is the personal blog of Michael Turro... it exists solely for the purpose of providing me (mturro) with a space to work through random thoughts and ideas generally regarding the future of the magazine industry, publishing in general, technology, culture, media and sometimes politics. This site also serves the purpose of putting my life out in the open (thus the name). It lets me get out in front of my digital identity and gives me some sort of control over what I look like through the prism of a Google search.\r\n\r\nIn my professional life I am the Director of Publishing Technologies for M. Shanken Communications, publisher of Wine Spectator, Cigar Aficionado, Food Arts, and other magazines. (By the way: All writings, opinions and comments are entirely my own and DO NOT represent M. Shanken Communications or its publications in any way, shape or form.)\r\n\r\nIn my personal life I am a father, husband, son, son-in-law, brother, uncle, friend, and neighbor to a small group of individuals who take residence in the hills of North Jersey and other more remote areas of the country.\r\n\r\n---STOP READING NOW IF YOU ARE ALREADY BORED---\r\n\r\nA random fact about me that might give you a more full picture of who I am and what I believe: I walked away from my Master of Arts Degree in Literature with only six credits left to complete. After reading Marshall McLuhan I decided that I needed to get out of the academic trap... I needed to explore the real and practical effects of media.\r\n\r\nSo I got a job with a magazine publisher (or as they now like to refer to themselves - a media company) and dove into learning how magazines actually get made. I became a production aficionado.\r\n\r\nI was extraordinarily lucky to get into the business at a time when the computer - the Mac really - was transforming the printing and publishing world. I grew up on Apple so the Mac was natural to me - I was well versed in its culture, its excentricities, and it's application as a creative tool. This understanding gave me a leg up on people who had been in the business for decades, people who had (perhaps jokingly) claimed to set type in hot metal, people who looked at the Mac with scorn.\r\n\r\nAll in all I am happy I walked away from academics and found real life waiting for me in the media and publishing worlds. I'm not sure I could see myself being happy teaching Mellville and Emerson and Thoreau to college kids. Not that there is anything wrong with that... I come from a family of teachers - I'm even married to one... it's just that it never felt like a fit for me. I need to be confronted with market level uncertainty... I love to (here I will paraphrase Nassim Nicholas Taleb) work from real life back to books, not from books to real life.\r\n\r\nIf after all of the above you feel like I might be of some help to you, or you might be of some help to me, or you just want to say hello, feel free to contact me using any one of the following methods.\r\n\r\ne-mail: mturro [at] gmail [dot] com\r\ne-mail: mturro [at] mshanken [dot] com\r\nAIM: myklturro\r\nTwitter: mturro\r\n
And via LinkedIn:\r\n\"View
" . "2008-08-23T09:06:57"^^ . . . "2006-03-17T10:41:01"^^ . "One Click and Gone" . "Easy come easy go... at least that's the only way to deal with what I just did to this site. With one simple click I killed over a year's worth of posts. I was trying to drop a table from the DB and, not really paying much attention to what the fuck I was doing, I inadvertently dropped the entire DB... gone.\n\nI have learned to take things like this in stride... not get too worked up over it. I look at as a chance to make a fresh start... a symbol of the transience of life, the impermanence of it all. Nothing gold can stay you know.\n\nSo here we are... square1. Kind of frustrating, kind of liberating, but life moves on, we all move on. So I best start creating some new stuff." . "2006-03-17T10:41:01"^^ . . . "2006-03-17T11:52:03"^^ . "E-Train’s Drunken Night Before Christmas" . "After some merry making at a company holiday party, our friend and Bluepear \"house-boy\" E-Train graced everyone with this reading of the classic poem \"The Night Before Christmas.\" Since E-Train's English gets a little loopier as he gets drunk he has a few stops and starts along the way, but he manages to deliver one of the greates all-time renditions of the piece. Many thanks go out to daveB for adding the backing track. So here it is folks the first ever Bluepear Radio podcast... E-Train's Drunken Night Before Christmas.\"\n\n[audio:http://bluepear.org/podcasts/etrainchrsitmas.mp3]\n\nDownload this Podcast!" . "2006-03-17T11:52:03"^^ . . . "2006-03-17T12:06:57"^^ . "Brad Sucks | Dirtbag" . "This is the song Dirtbag by Brad Sucks. There is nothing else on this but the one song. If you dig it and want more like it go to Brad Sucks website at http://www.bradsucks.net\n\nDownload This Podcast!" . "2006-03-17T12:06:57"^^ . . . "2006-03-17T12:09:19"^^ . "Instead Of Church" . "Download This Podcast!" . "2006-03-17T12:09:19"^^ . . . "2006-03-17T12:11:14"^^ . "Military Industrial Complex" . "Download This Podcast!" . "2006-03-17T12:11:14"^^ . . . "2006-03-17T12:12:21"^^ . "41 Pages" . "Download This Podcast!" . "2006-03-17T12:12:21"^^ . . . "2006-03-17T12:13:39"^^ . "With Six You Get Rock-n-Roll" . "Download This Podcast!" . "2006-03-17T12:13:39"^^ . . . "2006-03-17T12:21:40"^^ . "It’s All About The Buzz" . "Buzz Heavy is the twenty-first century… a mashed and mixed collection of bytes and bits from another time and place recontextualized for a more complex, yet somehow simpler now. An exploding persona that grabs you by the brain and pummels you with a seemingly sugar-soft craft that ages better than wine, cheese or the Olsen twins, Buzz is both immediately lovable and an acquired taste.\n\nBy co-opting bits of pop culture and utilizing the familiar he is able to instantly bring the casual listener closer while simultaneously working at a subconscious level to broaden the conversation. Before long you’re humming tunes about lesbians, murder, weed, self-destruction, the sexual appetite (passion) of Jesus, and two-dollar man-whores. Yes friends, these are love songs for the new world… the Brave new world.\n\nThe more I listen to the new Buzz record the more I realize that this is exactly the fuck-it-all record that I needed right now. In a time when greed and corruption are so pervasive that even Hippies are enveloped in hate, Buzz Heavy means something. This music is the music of the tired, the broken, the disgusted. This is the music that says we don’t all have to be corporate whores… plain ones will do just fine.\n\nTo by the new Buzz CD and the equally great Fat Raleigh CD visit these sites:\nhttp://www.buzzheavy.com\nhttp://www.fatraleigh.com\n\nDownload This Podcast!\n\nPS: Thanks to Steve Leonard for finding the original post in the Google cache!!" . "2006-03-17T12:21:40"^^ . . . "2008-05-26T21:58:15"^^ . "Just finished Lions for Lambs...." . "Just finished Lions for Lambs. Good, thought provoking Memorial Day film. After that and Recount last night I'm in the mood for change." . "2008-05-26T21:58:15"^^ . . . "2008-05-27T08:33:33"^^ . "Wet fence, symbol, open space...." . "Wet fence, symbol, open space. - Photo: http://bkite.com/00jV3" . "2008-05-27T08:33:33"^^ . . . "2006-04-06T15:23:51"^^ . "Meaningless Text?" . "So this post is really not much in the way of a post as it is a test. You see I'm writing this from an OS X dashboard widget rather than the usual Wordpress admin screen. The implications in this are of course that this will let me post more often, yet the posts will most likely not be terrificly thought out. I'm going to try and write more like a traditional \"blogger\" rather than the sort of careful, journalistic writing that I'm used to. Raw thought. It'll be interesting for me at least, and perhaps if you read this site more regularly it might be interesting for you as well. We'll all just have to wait and see." . "2006-04-06T15:23:51"^^ . . . "2006-05-12T14:28:36"^^ . "Wait, Baseball?" . "I've been doing a lot of thinking about what I should be doing with this site... lately it's been a pure music/radio site that was a forum for my thoughts on music. Before that it was a political forum for lefties who had grown to despise the Bush agenda and everything it stands for. Before that it was a literary magazine, a publishing company, a record label, a dog grooming site, and a Chinese restaurant... ok, maybe not all that, but you get the point.\n\nThen yesterday I read this item on serendipity over at Steven Johnson's blog and suddenly my mission was clear... stop trying to be something and just write about what I am thinking about... write about my own peculiar tastes and don't worry about presenting a cohesive theme. Simple. Brilliant.\n\nHideki Matsui... that's what's on my mind today. In case you don't know, the Yankees' left fielder is probably out for the season with a fractured wrist, ending his consecutive game streak at 1768 games. His injury leaves a hole in the Yanks lineup that has a lot of folks worried, but for some reason I'm not one of them. Logic dictates that as a Yankee fan I should be panicking and calling for trades, but I feel kind of hopeful really. Things happen for a reason. The reason here? Melky Cabrera.\n\nMelky has been hitting the shit out of the ball in AAA all year so far and he was just called up to handle right field for the Yanks while Gary Sheffield is on the 15 day DL... also for a wrist. With Matsui going down this could be the kid's time. I say put him in left immediately, give him the spot to lose and see what happens. I have a good feeling about it and we can all check this post in three months to see how prescient I am.\n\nSo that's it... baseball in bluepear." . "2006-05-12T14:28:36"^^ . . . "2006-05-15T11:06:41"^^ . "West Wing Ends - National Nightmare Continues" . "Admittedly the West Wing offered a somewhat idealistic portrayal of what Washington is like... there were just too many well meaning righteous people for that show to be about our government. Do people like that really exist in Washington anymore? Isn't just a town full of money hungry corporate functionaries getting hammered and nailing hookers? Seriously, there aren't actually people in Congress, let alone the White House, who care about people... are there?\n\nStill, as unrealistic and naive as the show may have been, I enjoyed having that hour every week where corruption wasn't the primary business of government and the President was actually a well-read nobel laureate respected for his brilliant mind and unswerving ethics. It was just a little comforting to know that if we couldn't have a real President that read Michel Foucault at least we could dream about one. Fantasy. It's good for the soul.\n\nNow it's gone... just as a new, vigorous, youthful, ethnic administration was set to take charge. I would have enjoyed watching Matt Santos tackle the issues of the day... enjoyed seeing a man actually think inside the Oval Office. Goodbye catharsis... I hardly knew you." . "2006-05-15T11:06:41"^^ . . . "2006-05-18T11:15:23"^^ . "Bush Turns to Big Military Contractors for Border Control" . "Yes, George W. Bush is in office to make as much money for his defense contractor friends as he possibly can. This article from the New York Times proves it. What's next... Bush turns to big military contractors for education plan? Really now... is there any issue that this guy doesn't see as being solvable through some sort of militaristic deployment of weaponry, technology, or other expensive bone for his cronies?" . "2006-05-18T11:15:23"^^ . . . "2006-05-19T11:18:21"^^ . "Ascension of the Goddess" . "The Da Vinci Code opens today and with it comes an avalanche of supplementary specials, protests, copycats and all around Grail fever. Scholars and priests have been dissecting the book since it was first published in 2003 and have been refuting the main thrust of the story since 1982 when the progenitor of The Da Vinci Code, The Holy Blood and The Holy Grail, first introduced these ideas to the world.\n\nThose who seek to discredit the ideas put forth in these works have tended to concentrate their efforts on the more sensational theories in the books. A careful exposition of the fantastic tales of the Knights Templar, Mary Magdalene, Merovingians, Cathars, mysterious rogue priests and the like have dominated all criticism of these works. The clamor over the accuracy of the fine details in the story, while masquerading as scholarly criticism, is actually a (not necessarily intentional) distraction from the ultimate implication of these theories.\n\nWhat The Da Vinci Code and Holy Blood Holy Grail have really done is challenge the stifling, corrupting, unnatural patriarchy of the Catholic Church, the Christian religion, and society in general. Through their fantastic accounts of conspiracy and intrigue the authors of these books have brought to the mainstream the discussion of the prominence of the female (specifically Magdalene) within the Jesus Movement of the early first century.\n\nWhether or not there is actually a royal bloodline of Christ present today and what role organizations such as the Priory of Sion and the Knights Templar may have played in protecting it is secondary really. Restoring the Goddess is the real work at hand.\n\nThese books are successful and accurate in that they are able to tap the undercurrent of recognition within popular culture that the world is indeed out of balance. Male dominance through the centuries has given us war, avarice, greed, and an unnurturing gap between rich and poor. Only when the Goddess has been restored to her rightful place in the iconography of humanity will we even begin to make progress toward a more caring society. These books and now the Da Vinci Code movie are steps along that path." . "2006-05-19T11:18:21"^^ . . . "2006-05-22T11:00:28"^^ . "Music By Friends" . "Listening to music made by someone you know is always an interesting experience... you want the tunes to rock... to be some of the best shit you've ever heard. Often that's just not the case. However, when it is true it makes your listening experience just that much sweeter.\n\nI have been lucky to know quite a few extremely talented musicians who make some really mind blowing music and it makes me really happy to be able to pass that stuff along to others. Case in point... one of my oldest friends (and part-time contributor in this space -- Will.) is working on a new record. I'll admit that sometimes when I hear his raw stuff I'm a little scared... sometimes the tunes are just too drippy, sentimental, melancholy, whatever. More often than not he'll whittle those tunes into some really profound music, but the anxiety (for me) is still there anytime he tells me to check something new out.\n\nThat's how I felt when I went to his soncibids site to listen to a few of his new tunes. And grooved was how I felt after listening. These tunes... still in a raw kind of demo state... are true pop gems. I dig the sound so much that I was actually moved to write this post... something I rarely do (write about Will's music that is). So check them out for yourself... they really are quite good." . "2006-05-22T11:00:28"^^ . . . "2006-05-26T12:19:53"^^ . "Bipartisanship Decoded" . "In an effort to demystify the rhetoric that tumbles out Washington DC I have decided that, from time to time, I should try to decode some of the hottest political buzzwords in use today. One that struck me today as I read the New York Times editorial page (over someone's shoulder on the morning train) is perhaps one of the most overused yet ultimately meaningless buzzwords of all time: bipartisanship.\n\nSo, without any further exposition, I give you bipartisanship decoded:\n\nBIPARTISANSHIP: When two political parties, both dependent on money from the same corporate donors, work together to craft legislation that has the maximum benefit for those corporations." . "2006-05-26T12:19:53"^^ . . . "2006-06-01T12:54:29"^^ . "The Guts To Leave The Temple" . "\"Very often people hear about God at about the same time as they're learning about Santa Claus. And their ideas about Santa Claus mature and change in time, but their idea of God remains infantile.\"\n\nSo says Karen Armstrong, author of The Great Transformation, in a recent Salon interview. She has a pretty interesting perspective on the nature and meaning of religion and how we have gotten to the spiritually starved, ego-driven world we have today. As the author of 20 books on religion and an ex nun who left because she had trouble finding god in the convent, Armstrong provides a refreshing approach to religion and sacred text: read it as myth and poetry.\n\nSimple enough, but religion continues to be controlled by an egotistical crowd of strivers who are clinging to the easy conformity of institutionalized religion. All around us, in the media, on the street, in the bingo halls, the dominance of the church enforces a crippling patriarchy that has lead us to a world filled with violence, war, cruelty, perversion, hunger, and pervasive unhappiness. This stew grows more and more pungent as the religious reading of sacred texts becomes more and more literal. In taking these words as direct proclamations from a humanoid god-man we are limiting our ability to be truly kind to one another. We trip over each other's interpretations of scripture and fight over things that we have no earthly way of determining because we are too scared to face the world as not us... to leave our ego, our sense of self behind, and contemplate a world without a \"me.\"\n\nThe title of this post is from the song I'm Free by The Who. It comes from the rock opera Tommy in which a messianic deaf, dumb and blind kid suddenly gains his senses and reaches the highest high. As his following builds he is asked by followers how they might attain this highest high for themselves. His response is one of the greatest lines ever written in a rock and roll song:\n\n\"I'd tell you what it takes to reach the highest high, but you'd laugh and say nothings that simple. But you've been told many times before, messiahs pointed to the door, but no one had the guts to leave the temple.\"\n\nThat's what's needed now... the guts to leave the temple... to stop kissing the rings of popes and start living for each other... for humanity." . "2006-06-01T12:54:29"^^ . . . "2006-06-09T12:11:02"^^ . "The Best Songwriters Of All Time" . "Paste Magazine, which is a magazine I read and respect, has just published a list of the 100 best living songwriters. Without a doubt there are some great artists on their list, yet also without doubt is the fact that this list is extremely subjective and more than a little capricious. OK, so Bob Dylan is their greatest living songwriter... I'm sure a lot of people will agree with that and a lot more will choke on it. My question is who cares? Why even bother with something like this? Aside from being a great way to stir up a shitstorm of reader opinion does ranking songwriters in this way have any real value? Isn't this sort of numerical listing at odds with what music and art are really all about? Is the use of superlative in this sense responsible cultural analysis or is it just a cheap behavioral experiment?\n\nI know that my personal favorites, who I consider to be the greatest, changes on an almost daily basis. I sure as shit wouldn't want to be tied down to any given opinion on any given day. Some days Dylan is so heartbreakingly profound that I can't stand it and other days he seems just a little too coarse for my ears. At times I could swear that Robert Hunter (who is curiously missing from this list) is the reincarnation of Shakespeare, while at others he's just a little too much of a hippie romantic for me. The point is this: the human experience and the art experience are largely contextual... what plays like a masterpiece today may seem trite tomorrow and then be a masterpiece again on Friday. The quality of work has the ability to change as the world around it revolves. To try and cement that quality into place comes off as a little bit foolish." . "2006-06-09T12:11:02"^^ . . . "2006-06-13T16:45:29"^^ . "Spielberg’s Munich" . "I finally had the opportunity to see Munich last night and I have to say that the film really stayed with me. Certainly the subject matter is haunting and the clandestine operations of various intelligence agencies is a curious context, yet this film has much more than just great spy punch. It is undoubtedly the first movie made since 2001 that really explores the nature of the worldwide bloodshed we are currently living through. By keeping away from black and white good and evil portrayals Spielberg provides an excellent commentary on the “with us or against us” mentality that has so tragically gripped policy making in the last five years.\n\nMunich does not try to be a historical document and warns the viewer that the story is in fact only “inspired” by actual events. In taking artistic license rather than attempting to patch together the memories of necessarily sketchy and shadowy figures or snippets of declassified and redacted documents Spielberg and writers Tony Kushner and Eric Roth are able to truly delve into the social and personal ramifications of “eye for an eye” response policies. Ultimately though, Munich raises more questions that it answers... and that is the film's most powerful aspect." . "2006-06-13T16:45:29"^^ . . . "2006-06-14T15:39:03"^^ . "Idiots Of The New American Century" . "For an excellent assessment of the Iranian nuclear situation, and the consequences of a military solution, do yourself a favor and take a gander at this article by Michael Carmichael. The article centers on a recent lecture given at Oxford by Richard Perle, the Neo-Con shill who did so much drum pounding in the lead up to the Iraq invasion. What I find so amazing is that anybody is still listening to this guy after his ideas have so blatantly failed in Iraq. Yet here we are... on the eve of yet another major blunder in the Middle East.\n\nIn a bit of related news, it seems that the Project For a New American Century is closing its doors... at least according to this article. I guess the unmitigated disaster in Iraq has taken a bit of a toll on the architects of the whole thing, but I'd much rather see some of them in front of a judge. As it stands they'll just filter back into the vast right-wing conspiracy and lose themselves behind big oak desks at the American Enterprise Institute. Bastards. Idiots. No... wait... bastards... idiots... BASTARD IDIOTS!!" . "2006-06-14T15:39:03"^^ . . . "2006-06-27T10:38:38"^^ . "Art, Death, Integrity" . "\"Healthy children will not fear life if their elders have integrity enough not to fear death.\"\n\nI recently came across this quote, by developmental psychologist Erik Erikson, in an article at Adbusters. It kind of sums up a few of the things that have been buzzing around my brain lately. It captures, for me at least, what the endgame of life should be... a steady progression of unfolding experience that ultimately leaves us in a state of fulfillment in which we can safely lay in our deathbeds and embrace what dreams may come.\n\nThat fulfillment is right now for people all over the world and it is right now for a unique and thought provoking writer who has played a role in shaping my experience of life... Robert Anton Wilson. While I am by no means a Wilson expert or even very well versed in his works, his energy runs through mine... and now he is dying.\n\nHe's doing it with flare though... deciding to use his impending scarcity to raise some cash on ebay. His personal mystery auction could be a commentary on capitalism... or perhaps it's a genuine last attempt to connect with his readers... or maybe it's just a way to occupy a mind trapped inside a dying body. In any case he is meeting death with integrity." . "2006-06-27T10:38:38"^^ . . . "2006-07-06T10:16:58"^^ . "The Democratic Party Killed Al Gore" . "While reading this article about Joe Lieberman's primary fight in Connecticut and the seemingly hopeless situation in the Democratic party I had a bit of a revelation: Al Gore's 2000 Presidential bid was not a matter of his being too robotic or stiff or underwhelming, but rather it was a blatant case of group think gone bad.\n\nIn 2000 the party was fat, lazy, and vibing on an increasingly bland centrist policy that was ripe for being undermined by a more radical, thought provoking ideology... an ideology like the one Karl Rove gave to voters. In picking Joe Lieberman as VP the party in effect rolled over and died. Had Gore searched his soul and run a campaign that even partially resembled his recent one against the climate crisis he would have had given himself a wide enough margin to avoid the unfortunate battle in Florida... a battle which the dems didn't have the stomach for.\n\nOnly now, after six years away from Democratic Party group think, has Al Gore found himself. It's a shame that in that time little or no progress has been made in the party and centrists like Lieberman still have too much influence on the party's voice. If there is any grace in politics Lieberman will lose his primary, become an Independent or Republican, Democratic Senators will line up behind Ned Lamont, and progressive thought will once again have a place in the Democratic Party." . "2006-07-06T10:16:58"^^ . . . "2006-07-11T16:15:35"^^ . "Shine On You Crazy Diamond" . "Syd Barrett, the original guitarist and creative force behind Pink Floyd, has died. The inspiration for the landmark floyd album Wish You Were Here, Barrett retreated from public life and slipped away into a private battle with mental illness... one that had been exacerbated by massive, self-administered doses of LSD in the late 1960's.\n\nHearing this news makes me wonder what kind of life Syd lived over the last four decades. Was he totally mad? Was he not allowed to play with scissors? Did he have a nurse? A nanny? A favorite pet? Did he leave his mind in 1965?\n\nObviously this was no Chappelle style exit from the stage... this was a breakdown, a de-generation of every artistic inclination the guy ever had. But how complete was it? I wonder if Syd continued to think serious artistic thoughts or if he just enjoyed \"very ordinary conversations about everyday things.\"\n\nEssentially what I want to know is when Syd Barrett really died. Certainly the death certificate will say July 7th 2006, but I have a strange feeling that the artist died much earlier than that. In a very real sense Syd Barrett died sometime in the early 1970's. He shed his persona like a second skin and once again became plain old Roger Barrett. Hopefully Roger was able to live happily inside the simplicity of everyday life.\n\n" . "2006-07-11T16:15:35"^^ . . . "2006-07-17T12:06:58"^^ . "What is Murdoch seeing in Myspace?" . "Fresh off a cover profile in Wired and now the owner of what has recently become the USA's most visited site, Rupert Murdoch seems to be invincible. And while I may not be a huge fan of the way Murdoch lets his news rooms run, I have to say that I do respect and to some extent admire the way he sees the world of mass media. He knows how to capture attention and how to turn that attention into profit. After all that IS the name of the game in the world of big media.\n\nWhen seen in this light it's no real wonder that Murdoch's interest would be piqued by Myspace. The site has quickly grown to be the lead attention grabber on the net and continues to grow at a feverish pace... it's new users per day equals roughly the circulation of one of Murdoch's newspapers. So it's a no brainer right? Plunk down $580 million for the eyeballs and worry about guiding them into profit later. It can't be that hard to convert attention to money... that's what media is.\n\nStill, one look at Myspace and I have to question what the fuck Rupe sees here. I've tried... on numerous occasions... to find something of interest or lasting value there, but I just see cheap plastic community. Substance... in technical infrastructure, features, and content... seems to be largely absent. In fact I'd be reluctant to call Myspace a community at all. If anything it's a scene... a trendy club... a kind of cultural fad that inevitably flames out. Would you pay $580 million for a scene?\n\nMurdoch did and for now I'll give him the benefit of the doubt that he knows what he's doing. If he can make it work he'll be building the next generation's MTV. But if Myspace is indeed built on the kind of fleeting, me-too, where'd you get those shoes, mentality that most scenes live and die on, he just paid $580 million for Studio 54." . "2006-07-17T12:06:58"^^ . . . "2006-07-21T12:30:26"^^ . "Chaos, Fear, Death, Money." . "Yesterday I sat down to write a post... a reaction to this article by Jacob Weisberg at Slate. I was writing it through the Wordpress posting form online and while I was checking a link or looking for some info or something, I accidentally googled out of the post (which was basically complete) and lost the whole thing. I couldn't bring myself to re-write the whole thing over... even though I remembered the gist of it quite well... perhaps too well.\n\nYou see each day my frustration with what's happening in the world... and the degree to which Bush apologists go to deflect their furor's responsibility for it... each day that frustration grows exponentially. In fact it grows so much that it is now morphing into fear... fear that the world is spinning out of control and the people in charge have no interest in calming things down.... there's just too much money to be made off of the chaos.\n\nAnd this is where we can blame Bush... he has let this all go down on his watch. He has created a context in which Israel can indiscriminately re-destroy a country that had so successfully re-constructed itself as a cultured and sophisticated cafe society. The Bush doctrine and the administration's illegal war in Iraq have set the standard in the region... bomb first, manipulate the media second.\n\nWith the media interested only in reporting the \"official\" truth we are losing sight of the fact that we, the USA, re-ignited this mess. In March of 2003 Bush sent troops into the crowded theater that is the Middle East and they started yelling fire. The fallout from that action and the scandals that soon followed have incited a predictably angry Arab response and given a green light to Israel to act as the region's thuggish cop. That is role that they seem to relish playing and have engaged it with zeal.\n\nIsrael's latest assaults on Hamas and Hezbollah are positioned in the media as a response (proportionality anyone?) to the recent taking of Israeli soldiers. The mainstream press happily parrots the official Israeli line and dutifully skirts the facts on the ground. Quite plainly, Israel kills as indiscriminately as the \"terrorists\" of Hezbollah, Hamas, and the Bush Administration do (for an excellent recent history of the conflict please read this article by Alexander Cockburn at Counterpunch).\n\nStill if we take a closer look at what's brewing in the region and examine the charged rhetoric that is coming out of all sides we can't help but see that Israel's latest actions play like a back channel skirmish in the continuing US/Iran nuclear standoff. In building up Hezbollah as an arm of the Iranian military this current conflict has the express potential to provide an American foot in Iran's door.\n\nSo I guess what it comes down to is that we are about to see some next level shit in the Middle East. Iraq, Iran, Israel, Lebanon, Syria... all mixed up in a stew of hate, violence and religious intolerance that the US, Britain, Russia, China and the rest season to their liking. How it ends, when it ends, who will die, how many will die, cannot be known. The only thing that is certain is that the oil conglomerates of the world will ride the backs of chaos specialists like Halliburton to new heights of wealth... and you'll pay more for gas." . "2006-07-21T12:30:26"^^ . . . "2006-07-27T12:21:25"^^ . "Stop Religion Before It Kills Us All!" . "Perhaps the greatest planetary emergency we face... greater than the global climate crisis, greater than global war, greater than global famine... is the perpetual stranglehold religion has on the good sense and reason of the human animal. It is this seemingly innocuous, yet entirely pervasive aspect of human existence that, through it's prescribed and willful march toward the end, feeds all other crisis currently enveloping the planet.\n\nWithout a doubt religion has placated the minds of the believers and provided them with just enough moral wiggle room so they just don't feel the true weight of human suffering. To them the world is as it is not because we as individuals or as a species fail to act to change things, but because that is the way it must be in order to validate the faith with which they live every day. There is no sense in trying to change things... this is prophecy.\n\nThis fatalism is not restricted to the Bible schools, the congregations of Falwell and Robertson, or the Madrasahs in the Middle East... it is an ingrained part of governments worldwide. Whether it's a blatant case of evangelical fundamentalism (as in our president) or a more subliminal case of political pandering (hello Democrats), the predisposition to eschatological deteminism is rampant.\n\nWe are saddled with a religion even before we have any sense of what that means. We come of age in an environment in which our realites are molded by the tenets and practices of these religions and they become a filter through which the world passes into our experience. Our actions rest upon the foundation of that experience and are limited to its boundries. Outside the boundries of our actions lies God's will... that which must be. Destruction of the Earthly flesh is God's will and it must be.\n\nIt would seem the only way forward is to move away from the controlling paradigm of traditional religions and churches and toward a new one of spirituality and humanism. We must reposition our relationship to sacred text and start to view it as literature rather than prophecy. In short there must be enlightenment... a global awakening in which we shed our traditional boundries and activley engage our experience rather than filtering it. If we can make this happen we might have time to save ourselves, our planet, and perhaps we may even save God itself." . "2006-07-27T12:21:25"^^ . . . "2006-08-18T11:17:54"^^ . "I’ll protect myself, you protect the Constituion" . "This article over at Science Blogs' The Questionable Authority really brings home a point that I have been quietly making since the last days of 2001... that the President fundamentally misunderstands his primary role in American Government.\n\nThe rhetoric out of The White House constantly pounds the trope of the President as protector. That protection is a fundamental part of his job I do not question... what he's supposed to be protecting is where we diverge. For some reason Mr. Bush believes that it is his solemn duty to protect the people of the United States from harm... not so. the protection of the people is provided for in the US Constitution and the Bill of Rights. The President's primary role and most solemn duty is to protect THAT document and its principles. Just look at the oath of office: \"I do solemnly swear (or affirm) that I will faithfully execute the office of President of the United States, and will to the best of my ability, preserve, protect and defend the Constitution of the United States.\" There it is.\n\nWithout the rights provided to us by the Constitution our physical protection is rendered more or less meaningless. We enjoy life as Americans because we have the rights and freedoms necessary to engage in a fulfilling and humane way of life. We don't have to worry that our religions or thoughts or ideas will land us in prison or limit our ability to travel at will. Take these things away or abridge them in any way and we cease to be free.\n\nWhen The President authorizes and vigorously defends unconstitutional activity such as wire tapping it degrades the strength of the Constitution in profound ways. Through this abdication of his one true charge, the President is slowly killing the one thing that can truly protect the American public... and that may be his greatest failure." . "2006-08-18T11:17:54"^^ . . . "2006-08-21T16:21:39"^^ . "The Mustache Works" . "\"giambiIn honor of the Yankees 5-game sweep of the Red Sox I proudly post this picture of myself with a Sal Fasano style mustache. The stache is obviously Photoshopped (not by me), but I can honestly tell you that I am wearing it in spirit on the streets of Manhattan everyday. I hope all of you Yankee fans will follow the grand example set by Sal Fasano, Jason Giambi, Jaret Wright, Ron Villone and Johnny Damon... and grow yourself a mustache. Or at least Photoshop one on." . "2006-08-21T16:21:39"^^ . . . "2006-08-25T12:49:59"^^ . "The Tube Music Network" . "Last night after getting home from work and flipping on the TiVo I was confronted with a message indicating that a new channel had been added to my lineup. Usually I skip right through these things and don't look much further into it. This time however, the name of the channel intrigues me... the tube.\n\nWhen I remembered to check out the new channel 184 a bit later I was greeted with a music video channel. After a half hour of watching I was happy to see that the channel had done nothing in that time but play videos... Peter Tosh, The Pretenders, Tal Bachman, Jamie Cullum, The Cars, Maroon 5, and Rob Thomas to be precise. Not a great selection, but not a bad one either.\n\nWhat I was more excited to see... or not see really... was the lack of advertisements, promo spots, inane \"reality\" shows, or any other piece of programing tripe that has made that other music network so painfully unwatchable. This was just music, pure and simple. Made me feel like it was 1981 all over again. That feeling, as I learned today, was actually rather intuitive. The Tube Music Network is the brainchild of Les Garland, co-founder of MTV.\n\nI guess its still too early to see how the tube will stack up in the coming music video wars... other than an e-commerce operation that lets you buy the music they play the tube has no real online presence. Sites like YouTube have a huge advantage over them in terms of interactivity, social technology and online capabilities. Within a few short years (or perhaps months? now?) music video consumers will not settle for just sitting back an watching a random stream of videos. They'll want to comment, make playlists, upload their own, tell their friends about new stuff, and learn about new stuff from their friends... or at least from some slick algorithmic robot that nows what you'll like. That's the future.\n\nStill it's nice to see a video channel that just plays videos... I have fond memories of 1981." . "2006-08-25T12:49:59"^^ . . . "2006-09-13T14:36:49"^^ . "Let it Go… Let it Flow" . "In this post on his Rough Type blog, Nicholas Carr highlights what he sees as the tension between the openness of \"Web 2.0\" technology and the need for online firms to yield a profit from their web properties. This need, he contends, is defined by control... \"maintaining control over the user, keeping him within the bounds of the site in order to expose him to more ads\"... a practice which is frequently at odds with the flow of Web 2.0.\n\nCarr's comments are a reaction to recent statements by News Corp COO Peter Chernin. At the Merrill Lynch Media & Entertainment Conference Chernin effectively stated that Web 2.0 companies like YouTube are eating out of MySpace's trough and that the Murdoch web giant could effectively shake them like a bad habit whenever they want... simply by doing what the leaches do.\n\nThe shortsightedness of this thinking... and Carr's seeming agreement with it... is a prime example of how corporate media has an apparently endless disrespect for the power of the user (hello DRM). In essence they posit that the control that profit-seeking firms will exercise over the user will overwhelm the user's appetite for freely flowing information and the imaginative use of technology. After all economics... money demands it be so.\n\nThe flaw with this is the inconvenient fact that economics has always followed and catered to human nature. While Chernin and Carr seem to assume that human nature is essentially money hungry and materialistic, we are in truth a profoundly social animal. We long to be known and to know and to share that knowledge. The technology of Web 2.0 builds on this foundation. It is, in a very real sense, an extension of our conversations, our relationships, our lives.\n\nJust as we would not stand for the limitation of our freedom of movement in the real world, we will not stand for it in the virtual world either. If a critical mass of the user base wants the online experience to be open and flowing in the ways that Web 2.0 has shown it can be then the economics follow the technology and obey that.\n\nGranted companies like News Corp might fight that trend... they are primarily lazy and would rather attempt to use their might to enforce the existing paradigm rather than innovate. Still, in no time there will be that person, that company, that innovator who understands the confluence of human nature and technology and uses that knowledge to define the new economic paradigm. Perhaps it's already happening." . "2006-09-13T14:36:49"^^ . . . "2006-09-15T20:47:33"^^ . "Diamonds In The Rough" . "I've been involved in an interesting discussion over at Scott Karp's blog... Publishing 2.0. The original post dealt with the recent announcement by Frito-Lay that they will be using \"user-generated content\" to produce their Super-Bowl spot this year... you can get all the details here. Scott's post posed the question of how long this sort of promoting... or as I prefer to call it, production method... can last. His take is that the \"best\" talent will inevitably require professional level compensation and won't simply keep producing new content for big corporations for free.\n\nThis looks good on its face, but it soon breaks down when you realize that the \"BEST\" talent is not always known. Under the 20th century production model the barrier to entry was significant so this unknown talent went unused. Rarely would the disenfranchised have the capital it would take to put together the a reel that would make anyone that \"mattered\" take notice. In order to produce anything of quality you would have to track through the accepted channels... school, internship, assistant, apprentice, whatever. Materials of production were expensive and some kid off the street just couldn't be trusted with them.\n\nAs technology developed this barrier became almost non-existent and now almost anyone with a few dollars and some imagination can produce something that can be shown on the Super Bowl. So is it problem that the kid off the street might produce a Super Bowl spot and get little more than a slap on the back and a trip to the game? Is he a sucker?\n\nI for one don't feel comfortable making those kind of judgments on people I don't know. But if you ask yourself where would that kid be if he hadn't entered that contest things start to make a little more sense. One thing is for sure... he wouldn't be at the Super Bowl and he wouldn't be the creator of perhaps the most watched and talked about 30 seconds of video in the world.\n\nSo the kid wins. Frito-Lay wins. But can it last?\n\nIf we assume it can't, we'd also have to assume that at some point everybody making videos... or at least those with talent... will be getting paid for their services. I would love to see that, but I just don't think it's going to ever happen. No matter what you want to believe cream will not always rise to the top. There will always be people with talent who for whatever reason just don't get noticed in their field. And there will always be a Frito-Lay willing to find that diamond in the rough." . "2006-09-15T20:47:33"^^ . . . "2006-10-02T16:36:13"^^ . "Nextfest Blahs" . "Recently I had the opportunity to spend a short while checking out Wired's Nextfest at the Javits Center in NYC. I had been eagerly anticipating the show for a few months now... checking out the photos from previous incarnations... reading engaging accounts by those who have been... swallowing the Wired spin machine whole. Essentially I was pumped to get a glimpse of the future.\n\nAnd it is perhaps that level of excitement that was setting me up for the ultimate letdown. The place just didn't measure up... didn't radiate with the same electric hum that reading about it did. All the hope, the wonder, the kinetic weight that ran through the written accounts of the show seemed to outpace the actuality of the event. The pregnant promise of the future was aborted by the cold vanilla pain of here and now.\n\nSure there were some interesting things on display, but nothing really mind-blowing. The hall had a kind of unfinished feel to it... like they were up all night trying to bring the future into view, but they only had enough time to stitch together a few shattered visions. There was no totality... no enveloping sense of tomorrow being intrinsically better than today... just a little greener... a little lighter.\n\nIronically the whole experience left me with a new-found respect for Wired as a magazine. The editors of Wired are able to paint a picture... to conjure a sense of the future that the actual toys in their stories fall short of. Reading the average issue of Wired is a joyride through the streets of future worlds. There is potential dripping from every page.\n\nIn person... where the cracks are visible... where the noises less elegant... these toys tell a much, much blander tale." . "2006-10-02T16:36:13"^^ . . . "2006-10-09T16:02:39"^^ . "Publishing is Dead" . "For some time now I have been trying to express in specific terms my general feeling that publishing... magazine publishing in particular... is in crisis. It's no secret that massive disruption in technology over the past decade has shaken the industry to its core, but for all the debate over how to best navigate this change surprisingly little has been solidified (at least in my head) with regard to what magazines will look like ten, twenty or fifty years down the line.\n\nAnd then today... while reading this piece by Robert Young... I had a moment of clarity. Young's piece deals with the importance of communication in the social network space (Myspace, Flickr, etc) and as I read it that word... communication... spoke to me. THAT is what magazines need to do... stop thinking in terms of publishing content and start thinking in terms of fostering communication.\n\nFor the most part magazines have been looking at the technological landscape and trying to superimpose their traditional publishing model onto it. Rather than understanding and taking advantage of how changes in technology empower people to be their own editors and information gatherers most publishers have simply \"repurposed\" content to emerging media. Same data, new wrapper.\n\nProducers of magazines need to start thinking more like software developers and less like traditional publishers. If a magazine is to stay relevant to the community it serves it must give its readers tools to successfully and productively navigate the information landscape. Applications that engage readers and foster their participation in the overall community will go much further in the evolving technological environment than the standard authoritative model.\n\nBy expanding their operations beyond the one way street model of traditional publishing and embracing the back and forth nature of a communications model magazines can build on their privileged spot atop niche communities and stay relevant into the future." . "2006-10-09T16:02:39"^^ . . . "2006-11-06T12:05:58"^^ . "Now THAT’s what I’m Talking About" . "My last post on magazine publishing attempted to crystalize some of the things I have been feeling about my chosen profession... the magazine business. That post, which hailed the death of publishing, hinted at some of the things I've been sensing without really nailing them. Lucky for me I'm not the only one who is thinking in the magazine world and so I will now provide you with a link to a very insightful essay by Derek Powazek, the Editor of JPG Magazine, on how magazines, which are traditionally three separate communities, need to start thinking of themselves as one. Simple really... and in the same neighborhood as my thinking... but this is a bit more focused. Enjoy!" . "2006-11-06T12:05:58"^^ . . . "2006-11-06T14:24:54"^^ . "Hemingway is Simplicity" . "The title of this post is true... on two levels. Yes Ernest Hemingway is the master of simplicity in literature and his writing has inspired me on more than one occasion (I must confess... I am and ex English Lit Grad Student). However, that is not the Hemingway I intend to praise here today. Instead I wish to heap some praise on Hemingway the Wordpress theme. This example of the clean and simple organization of data has saved me. You see I have been wrestling with the development of my own themes for this site and in doing so I have lost sight of one simple fact... I am not a code poet.\n\nSure I can hack together some interesting bits of PHP, and I certainly have learned a lot by mucking around with the guts of this site (and as such I will continue to do so), but I found that I need a place to cleanly and simply express my thoughts through words... and Hemingway has provided that.\n\nI'm just starting to learn the ins and outs of the theme, but I knew as soon as I saw it that it was exactly the skeleton I was looking for. It totally breaks from the old stand-by center-column and right-sidebar approach of the majority of WP themes... something I have been trying to do with my own work only to be met at every turn with validation, browser and loading issues. That's a great learning experience... but it's also a mindfogger.\n\nSo now I am just going to concentrate a bit more on the words that people read and a little less on the letters that machines do and hopefully start making more headway on converting my inner dialogue to some sort of coherent personal and professional philosophy. Good luck to me." . "2006-11-06T14:24:54"^^ . . . "2006-11-08T14:25:15"^^ . "Starting to Love Last.fm" . "For a few years I used to run a Live365 radio station that went by the name of Bluepear Radio. What drove that station was not only my passion for music, but my need to share what I listened to with friends, family, strangers, the world at large. It was never about making money or a building a radio station per se... I just wanted to share what I was feeling when I listened to music with everyone I could. I wanted others to feel the same electricity... vibe on the same frequency I was.\n\nThat experiment sadly ended as the financial obligation related to running a Live365 station, although relatively small, began to overtake my willingness to be that dissemination point. With other things in my life needing my time, energy, and money I had to retreat into a more solipsistic listening mode... my music library would have to once again be just mine.\n\nAs you can imagine I still had the itch to share even if I didn't have the time or money to be a station manger. That itch led me to last.fm. While last.fm wouldn't let me program a stream the same way Live365 would it did let me effortlessly push my listening habits from iTunes to their database where it could be tagged, searched, cross-referenced, compared, and best of all shared.\n\nAt first... with little or no data (of mine) in the Last.fm system... I was unimpressed with what they had to offer. Yet it was free, effortless, social. I was listening to iTunes for about eight hours a day at work so I figured I'd just let the data pile up... scrobble for a few months and see where it took me.\n\nRecently... announcements of improvements to the site piqued my interest so I decided to revisit and see just where this social music revolution was heading. Well... after months of scrobbling data to last.fm my profile there is much more robust. I have a long list of neighbors (those whose taste in music is similar to mine) and those relations have led to some interesting recommendations... many of which have made significant contributions to my daily listening. I now find myself listening to last.fm almost as much as I am listening to my own iTunes library.\n\nAs Last.fm is a social site it's value is amplified with each connection you make. As such I have reached out to some of my neighbors to make them friends and have taken steps to invite real world contacts into the community. Listeners of the old Bluepear Radio can now join last.fm and not only become passive listeners, but actually influence what I play (or listen to) in a way that emailed requests and forum posts could never hope to.\n\nIn essence every last.fm \"station\" is more than just a fixed stream... these stations are fractal growth points that can evolve and mutate organically according to users listening habits. Tag based radio channels are born every minute and many die just as quickly. Along the way some interesting associations are made.\n\nA prime example of this is Dead Man Radio. While doing Bluepear Radio a friend and I had an idea for a theme of music by artists and bands that had died or had members that died. I never put the list together for a number of reasons, but now with Last.fm I just have to tag artists and songs with the tag \"dead man radio\" and they will automatically be placed in a channel under that tag name. Now that stream is a reality and it is making for some interesting combinations (Syd Barrett, John Coltrane, Elliott Smith, Jimi Hendrix, Morphine, and Blind Melon are are recent examples). Slowly dead man radio will take on a life of its own.\n\nAlthough some may consider the mention of love in description of how one feels about a certain type of technology somewhat bizarre, I would have to say that this is more than just technology. This is technology that is so profoundly entwined with the cultural and human that the mix becomes something entirely new. And I do love that." . "2006-11-08T14:25:15"^^ . . . "2006-11-09T17:41:16"^^ . "Idio - Just Another Digital Magazine" . "Ahhh the digital magazine... that misguided, ineffective, awkward attempt to recreate a solid and successful print format in the world of bits and bytes. So many of us in the industry are falling prey to its seductive possibility... its flash and novelty... its artful reproduction of the \"print experience\" in digital form. Page turning... reader spreads... folios... it's all there, just like a real printed magazine. The only problem is that it's not a real printed magazine and trying to make it one (or feel like one) is a recipe for failure.\n\nTake as an example the recently launched Idio. On paper (pun intended) this looks like a great idea... the melding of the magazine form with the personalization and intimacy of a social web app. Idio aims to be \"your magazine\" and as such it lets you manage your own interests through predefined sliders. How you set those sliders determines which articles will be culled from Idio's selections and assembled on the fly into a digital magazine. As Idio's content base grows and as it learns more about you the magazine will increase in its personal relevance.\n\nNow this all sound great... that is until you actually get to the magazine. Reader spreads.. page turning... folios. The excitement of being involved in a next generation project to build a truly personalized magazine is lost when this twentieth century digital magazine hits your screen. Granted, this is a start-up and their heart is in the right place, but this is just not it. This is not what the magazine world is waiting for... this will save nobody.\n\nI can't help but feel that Idio would be better served by building something that not only seeks to capitalize on web 2.0 hype, but actually takes advantage of the technology that the hype thrives on. Not doing so, especially in an age when the average reader is extremely used to those technologies being there, just leaves the user feeling short-changed... like they're not seeing everything there is to see.\n\nWhen it comes right down to it what makes the magazine experience a fulfilling one for readers is not the ability to turn a page, but rather the connection made with the point of view of the magazine. The artificial replication of the \"feel\" of a more traditional format is a dangerous distraction from that connection. The technology behind a publishing format should be invisible... a foundation upon which the content stands. In the case of digital magazines like Idio it's more like Christmas lights draped across the gutters." . "2006-11-09T17:41:16"^^ . . . "2006-11-10T16:36:16"^^ . "A Hollow Victory" . "For the past few days I have been trying to process this latest \"revolution\" in the US Congress... what does it mean? ...what kind of change can we expect? ...are we being set up? While most of my anti-Bush friends and family are rejoicing over the Republican loss (and the demise of Rummy) I am finding it hard to be happy about it. I can certainly appreciate the idea of having an oppositional Congress in place to keep the runaway Executive branch in check, but something in me is still skeptical.\n\nI think John Stewart had it right when he compared the Democratic party to the kid who slowly backs out of the room as his brother gets scolded. In fact Democrats have been backing out of the room for six years now... never once exhibiting the integrity of opposition that the country so sorely needs. In a real sense the Democratic party is complicit in a whole host of Republican crimes and misdemeanors. From voting away their own oversight responsibilities to letting the right-wing Christian cartel set the social agenda, this party has been little more than a Republican lap dog for six years. And now they have some sway.\n\nThe answers to the questions I pose in the first paragraph of this post will take some time to sort out. However one thing is true... there is an opportunity here. If the Democrats can suddenly find some sort of moral center... some touchstone that brings them back to their best FDR, JFK, RFK moments... then maybe we might see some real work get done. I won't hold my breath." . "2006-11-10T16:36:16"^^ . . . "2006-11-21T12:42:01"^^ . "Print, Web… There’s a Difference" . "While the title of this post seems ridiculously obvious, most magazine editors... especially those who cut their teeth before the Web became what it is today... just don't seem to get it. Look at almost any popular magazine web site and you will find that the majority of articles are simply \"reprinted\" from the hard copy without any reconsideration. Very little content is tailored to the web... although that is changing as magazines are starting to blog (albeit in a very structured \"print\" sort of way).\n\nPersonally I have been keenly aware of the effect that any given presentation technology has on the text it presents since I ran across Marshall McLuhan as an English Lit grad student over a decade ago. The concept (that print articles and web articles should be written differently) just seems so basic... like the title of the post... that I find it baffling that magazine editorial teams have taken so long to see it as well. For ten years we have been forced to deal with magazines that have been shoving the square peg of print-centric text into the round hole of digital presentation spaces. Thankfully it looks like there might be some light at the end of that tunnel.\n\nThat light comes in this acknowledgment by Technology Review editor Jason Pontin.\n
In short, the Internet is a very good medium for economically expressed, timely stories. More, the Web is unapologetically responsive to the market. Online, the posture of editors before readers is slavish: we listen to your demands, or else we (more tangibly, our \"audience traffic\") are punished.\n\nYet editors can do more than give readers what they say they want; they can also offer up stories that surprise and delight. In print, editors can be purveyors of serendipity. Such a function may not be wanted in the yawping, demotic marketplace of the Internet. It can seem unacceptably elitist to those who are skeptical about the intelligence, expertise, impartiality, and good sense of what the blogosphere calls the \"mainstream media.\" But there are still many readers who will pay for that old-fashioned virtue, nicety of editorial selection.
\nFinally someone sees the blindingly obvious. Hopefully the path that Technology Review is taking with regard to print-centric text is contagious and we'll start to see magazines living up to their ultimate potential as communities of vibrant debate, comment, and thought." . "2006-11-21T12:42:01"^^ . . . "2006-11-21T13:43:52"^^ . "AmEx Publishing Dips Into Wiki" . "Here's one to watch... according to Advertising Age, American Express Publishing is dipping it's little toe into the wild and wooly seas of wiki publishing. It's an interesting move and it fits perfectly with what my personal vision of what twenty-first century publishing will look like, yet if the Ad Age article is any indication of what the suits at AmEx understand about the technology this story is just starting to get interesting.\n\nIt seems that AmEx is operating under the assumption that design... making the interface pretty... can overcome whatever the perceived flaws of wiki based models are. From the Ad Age article:\n
\"With the old wiki sites, every one was different and the rules of editing were different,\" said Mark Stanich, chief marketing officer, American Express Publishing Group. \"If you were really intense you could get on there and go crazy but it wasn't really user friendly. This is really like using a word-processing tool. The ease of it to the consumer is important.\"
\nOK... Stanich has a small point here. The easier the wiki is to use the more content users will be able to contribute. But it's a long jump from there to successfully harnessing the power of wiki in an ad based publishing model. You have to wonder how much thought AmEx has given to the protocol of dealing with dissent, invective, vitriol, and other inappropriate uses of the wiki. Wikipedia, the most visible and successful implementation of the technology, thrives on a the community policing efforts of hyperactive users... can Executive Travel SkyGuide claim the same sort of rabid devotion among its readership? Is that level of involvement natural for a ad-based model? Is it possible?\n\nObviously it's too soon to tell how this will shake out, but I applaud AmEx for going there. Somebody has to step up and start mixing editors, advertisers, and readers in the social stew... and with the right spices in the right amounts, we may have a tasty new publishing model." . "2006-11-21T13:43:52"^^ . . . "2006-11-27T14:16:04"^^ . "How Do You Say Hello in Chinese?" . "When I was in high school in the late 80's it was commonly thought that anyone interested in having a reasonably good chance at earning a living in \"the future\" should learn to speak Japanese. At the time it looked like they were on their way to owning most of the US and an American who could speak to them in their native tongue would be living high on the hog... samurai style. Then came the personal computing and internet revolution and Silicon Valley made it safe to be plain old American again... with a new found appreciation for sushi of course.\n\nWell friends, it seems like our reprieve has run out. The very thing that saved us once before, the network, now threatens to leave us on the side of the road squirming in our irrelevance as China and India speed right by us. (At this point I'd advise anyone who is concerned by this to go an read Thomas Friedman's new book, The World Is Flat. I haven't been able to rid it's themes from my mind since I read it over a month ago.) Yes once again it seems that acquainting our children with the cultures of Asia is a smart and necessary play... and this time there may not be an escape hatch.\n\nIn a recent lecture former World Bank head James Wolfensohn warned of the coming shift of economic power from the wealthy western states like the US to Asian countries... most notably India and China. Essentially, Wolfenshon's argument boils down to this basic advice... if you don't want to be one big, fat, lazy third world also-ran you need to get your asses in gear and start taking some steps to prepare for this shift. (This is Friedman's basic take on things as well.)\n\nThe most glaringly obvious step would be to shore up the educational efforts in math and science, but there is something else that may have a more profound effect... nationalized health care. If the US is to be at all competitive in the economic environment of the twenty-first century it needs to do something to lessen the burden on businesses and lower the costs of manufacturing, research and development in the states. Government sponsored health benefits would go a long way toward doing that.\n\nThe US Government also needs to take more initiative in developing solutions to the burgeoning energy crisis. We need to be oil free and we can be. With right mix of Federal policy and private sector innovation green energy companies could spawn an economic boom that would not only help save the planet, but would make the dot com boom of the late nineties seem insignificant by comparison. Someone in power (maybe President Gore) needs to jump start this... somebody needs to throw down a challenge and make it an unassailable, national fact that we will be oil free in ten years.\n\nWhile it seems that our economic future is rather bleak it is not necessarily so. There is a lot that can and should be done and with a progressive and enlightened government it will be done. Wait... may be we are fucked. How do you say hello in Chinese?" . "2006-11-27T14:16:04"^^ . . . "2006-12-04T16:58:40"^^ . "New Year… New Paper" . "I love it when I look through my afternoon feeds and find that one of the giants of \"old media\" is taking steps to keep relevant in the new and wonderful world of always on digital news streams. Realizing that people are increasingly being informed of events via electronic device, the Wall Street Journal has decided to cut some inches from its daily paper and retool it with that fact in mind. Those inches (which will save the company an estimated 18 million dollars annually) will be cut from breaking and straight news items which will gain new life online.\n\nThe new look Journal will hit newsstands on January 2 and it will be temporarily free... a chance to let readers taste the future. Further, in what looks to be a blatant admission that free news can be the foundation of profitability, the WSJ also has plans to give complimentary access to online and paper editions to \"young\" executives. The access will be delivered through something they're calling a \"mentoring\" program.\n\nAlthough I don't read the Journal I am intrigued by their approach here. Chopping down the standard broadsheet format is a pretty strong statement on the changing landscape of print... one that other publishers would do well to heed. To simply cling to a form factor for sentimental reasons or misguided purist elitism could soon prove catastrophic.\n\nThe only question I have is this: What effect will all this have on the editorial slant of the printed content? With hard news being pushed to the web there is an excellent opportunity for the editors to put more opinion and analysis in the print edition. Perhaps we will start seeing longer, more complex investigative articles... or maybe more human interest, culture, and art. That's certainly what the medium cries out for... I guess we'll have to wait and see if the WSJ editors hear that cry." . "2006-12-04T16:58:40"^^ . . . "2006-12-08T17:27:16"^^ . "1960s Anti-Drug Propaganda" . "[coolplayer]http://www.youtube.com/watch?v=zNMU052BCg8[/coolplayer]\nHave we really come that far? Sure today's propaganda is slickly produced and dripping in the cultural vernacular of the day... but is it any less ridiculous?" . "2006-12-08T17:27:16"^^ . . . "2006-12-11T13:50:35"^^ . "Software and Community in the Early 21st Century" . "[coolplayer]http://www.youtube.com/watch?v=NorfgQlEJv8[/coolplayer]\nHave an hour to kill? Want to get a good take on where software is going in the twenty-first century? Then watch this meaty keynote by Eben Moglen from the most recent Plone Conference. It's a brilliant assessment of free software's role as a profound social and cultural force that is killing off the industrial paradigm... and Microsoft with it." . "2006-12-11T13:50:35"^^ . . . "2006-12-12T12:52:38"^^ . "Roll In The Mud, Have A Ball" . "A while back I wrote a post titled Music By Friends. In that post I dealt with the paradox of emotion that I experience when listening to music by artists I consider personal friends... trepidation and joy. The fear is of course that the music will fall short... leave you uninspired. The joy comes when I hear something beautiful and realize how accessible the work is... how close I am to the source of the inspiration. That sort of personal connection really is a magical feeling and it is what drives groupies and deadheads in their quest to get as close to \"the band\" as possible. Music is beautiful positive energy and the musician its primary conduit. Access to that conduit brings access to that energy and creates a feedback loop that is pure, uncut, undiluted art in action.\n\nWith all of that at the tip of my mind I went to my friend William's site to download the final tracks of his new record I Was Never Here (You can download all the tracks free for a limited time through his site). A few of the tracks were those I had already posted on in the \"Friends\" post so I new there was going to be some gold there... but I hadn't heard the bulk of the album or any of the finished product. Let's just say that Will has had a mercurial and varied history when it comes to musical styling and the tracks I loved so when they were in demo form could have had all the cheer ripped from them if William's mood swung too much toward the melancholy in the weeks leading up to the final mix.\n\nWell folks I am happy to report that this record is strong. Sure it has peaks and valleys like any other album will, but the peaks nearly touch the face of God while the valleys are pleasant fertile valleys that give way before they turn into arid, barren desert. This music is the music of a man who has stopped trying to be anything but himself... it is some of the most sincere work William has ever put together.\n\nI won't go into what this album reminds me of, what might have influenced it, what it sounds like, or which tracks I like and why... that's for a record review. No this post is really something else entirely. This post is a letter to a friend... a way to tell him I think his art is alive and meaningful. This post is also a way to thank the cosmos, god, life, for not beating my friend beyond the point of hope and for letting him continue to produce inspired work. Joy to the world." . "2006-12-12T12:52:38"^^ . . . "2006-12-12T15:41:33"^^ . "Yes Indeed, Dr. Hunter S. Thompson Lives" . "[coolplayer]http://www.youtube.com/watch?v=EYRTDz3j-eA[/coolplayer]\nEvery once in a while it's a good idea to touch base with the things in your life that have helped to craft the person you are. For me one of those things is Hunter S. Thompson. Reading his articles in Rolling Stone had a profound impact on the way I view the politics, culture and counter-culture of the USA. I still have no idea what made him kill himself the way he did, but at some level I certainly understand it. I suppose that a lifetime of running in the opposite direction of the vast majority of folk you come by gets tiring. In any event, I came across this video and remembered all over again what it was about Hunter that still lives on. And check this out too. And this." . "2006-12-12T15:41:33"^^ . . . "2006-12-13T13:33:10"^^ . "Transparency And The Future Of The Magazine" . "Wired Editor (and author of The Long Tail) Chris Anderson wonders what radical transparency might mean for his magazine in a two part post (part one - part two) on his blog The Long Tail. It's a truly fascinating read and is some serious food for thought for anyone who is involved in developing technologically coherent operational strategies for the evolving magazine space. Parsing emerging cultural, technological, and social signals into a workable framework and publishing model is a process that has many publishers scratching their heads... having a glimpse into how one of the most culture-tech savvy pubs in the industry is managing that process is not only interesting and valuable-- it's damn near priceless.\n\nThe idea that a magazine might thrive by becoming as transparent as it possibly can... by exposing its innards to the reading public... by letting the outside world inside... is a dangerous idea. The traditional publishing model for magazines was based almost entirely on control. To be sure there have been some brief points of reader interaction (letters to the editor the most oft cited example), but for the most part the editorial voice of the magazine was strictly authoritarian. The editor was the pacemaker, the prime object in a workflow that moved with purpose from a stage of raw data to refined information that ultimately ended with the reader-consumer. As long as the reader was conditioned by social, cultural, and technical mores to be a passive consumer this model thrived.\n\nObviously those mores have changed... are changing... and will continue to change... as technology develops at a blistering pace. Readers are no longer conditioned by their environment to simply consume... interaction is enjoying a resurgence and once again becoming a vital part of the human experience. People are getting up off their collective asses and they want to build things, process information, customize their own experience. Once voice won't hold their attention. The Editor's role has changed... it's just that nobody is quite sure yet what the role has become.\n\nAnderson's thoughts on the changing nature of the magazine and the role of the editorial voice in the emerging mediascape are an excellent starting point. His \"catalyze and curate\" methodology is a logical evolution of the traditional role and his idea of transparency fits perfectly with what the modern reader is conditioned to expect in terms of interaction. Only time will tell how well this works on a business level. Will advertisers be able to find a logical space inside the conversation that will develop? Will sales personnel have the necessary vocabulary and vision to sell inside this new conversation?\n\nCertainly there are an abundance of questions that still need to be answered before these new models can take hold. Yet one thing is clear... there will be change. It's going to be a lot of fun getting from here to there... enjoy it." . "2006-12-13T13:33:10"^^ . . . "2006-12-14T16:04:56"^^ . "“Jack Kerouac” Made Me Write This Poem" . "[coolplayer]http://www.youtube.com/watch?v=r4z8Zvo2PDw[/coolplayer]\nsomething of the city builds inside as a lonely horn pines for the connection... the moment in the past... when we had something besides a plain future and instead saw everything with wild eyed color and deep depressed shadow. that me has gone leaving a strong scent of information and light for this one to cling to...\n\n(mturro - NYC - 12/2006)" . "2006-12-14T16:04:56"^^ . . . "2006-12-21T13:53:01"^^ . "Exploitation My Ass!!!" . "Of late, throughout this rather impotent universe so lamely termed the blogoshpere, there has been some buzz regarding the fairness of big user generated content communities like YouTube. The thinking goes something like this: All these poor souls are posting their hard work and getting nothing... not a share of ad revenue, not a free meal, not a hot dog, or pencil and pen set... nothing in return. In fact Nick Carr has gone as far as to refer to these unfortunate souls as sharecroppers... a term which not so lightly evokes the social ills of the Jim Crow south. I guess it's not too far of a stretch to compare a system that was used to extend institutionalized racism post-slavery to one that denies drunk frat boys direct revenue from their weekend party cellphone video.\n\nWe seem to have gone through the looking glass... at some point we went down the rabbit hole, swallowed the red pill, ate the brown acid... somewhere along the line we lost any sense of what exploitation looks like. To argue or even suggest that millions of users happily sharing their lives and experiences with friends, neighbors, and family are somehow being exploited because the vehicle that makes this community possible turns a profit is really kind of stupid. This is after all a capitalist society and services rendered usually require payment. That payment in the case of these sites is simply deflected to a third party. Imagine if that worked offline... free meals at the local bistro if you watch advertising at your table before the meal.\n\nTo be sure there are many (myself included) who wouldn't want to watch ads before every meal... and for those of us who don't there would be plenty of restaurants willing to take cash in direct exchange for food... it's our choice. And that's the bottom line here... choice. Every single person sharing video on YouTube or images on Flickr has the choice to exit the system anytime they want. They also have the choice to host their stuff on their own site (if they want to pay for the service and administer the technology on their own).\n\nWhy don't they? Simply put, it's just not worth it. Why go through all the trouble of setting up your own site, learning the ins and outs of web administration, paying a monthly fee just to share a few seconds of video that could be easily hosted on a free community site? For most people it's a no-brainer... they get something for nothing.\n\nSo why are all these \"bloggers\" throwing around terms like exploitation and comparing MySpace to a sharecropping system? Again, simply put, it's fear. Most of these bloggers are professional content creators... they make their living off paid content models that are under attack by new sites that are monetizing user generated content (UGC). This fear precludes them from viewing the UGC phenomenon with clear eyes. It also makes them view the companies that are taking advantage of the phenomenon as heartless, wicked, and exploitive. Rather than adapt they attack, constantly throwing cold water through cautionary posts and caveats.\n\nIt's true that the media landscape is changing... dynastic fortunes are being won and lost based on decisions being made right now. Technology is spreading out the game, bringing in more players, less professionalism, more egalitarianism, less elitism. Conversations are igniting ideas... moments are being immortalized in bits... and people are starting to talk.\n\nThis can be scary. It can also be a time of unbounded opportunity. And as with most things... we each have a choice which one it will be for us." . "2006-12-21T13:53:01"^^ . . . "2006-12-21T17:15:20"^^ . "There Once Was A Time When Televison Educated" . "In this video (after the \"read on\" jump) two of America's best known intellectuals, Noam Chomsky and William F. Buckley, debate the nature of American imperialism. The year is 1969 and the war is Vietnam, but the arguments sadly remain relevant. It's also quite sad that this level of debate no longer has a home on network TV... we get Bill O'Reilly.\n[coolplayer]\nhttp://www.youtube.com/watch?v=Dt-GUAxmxdk\n[/coolplayer]" . "2006-12-21T17:15:20"^^ . . . "2007-02-05T16:04:26"^^ . "When Inspiration Dies" . "December was a good month... as far as posting to this site is concerned. I was able to eek out a number of posts and had a pretty good run up to the last week of the year... my thoughts just seemed to be ready made for the online world. I was channeling ideas to the web and getting inspiration back... a positive feedback loop that had me feeling alive, plugged-in, digital, electric. Then came Christmas, family, New Years, parties, food, champaign, wine, beer, January... a long list of things that just drained me of any impulse to push thought to the outside world. I was as cold as winter.\n\n\n\nNow... almost a full week into February... I am forcing myself to shake off the cobwebs and get something out of my head and into this space. My hope is that the act of posting... of staring down the blank screen... will spark some sort of inspiration. Hopefully the words your are reading now will be the fruitful ancestors to a torrent of future ideas, thoughts, and comments. And if we're lucky, maybe some of those thoughts, ideas, and comments will be useful to someone somewhere. We'll just have to wait and see.\n\nIn any event all of this has me asking myself one simple question: Why should I really care? Is there any reason I should feel obligated to write in this space? I'm not taking advertising or making money from this site... nobody depends on my words for their livelihood, intellectual sustenance, or news about the world. So why do I feel compelled to write? Why do I get more and more depressed as the date of my last post recedes further and further into the past?\n\nMy only answer... the only answer that begins to make sense... is that there is some therapeutic value to it. Living in a world where news, information and images relentlessly bombard us, an output becomes vital. Without it the pressure builds and starts to manifest itself as a slight haze of depression. This depression serves as a trigger for the release of that pressure which, in my case at least, comes in the form of this site. That you are here to read the results of that process is purely secondary.... I am not writing for the sake of an audience, I am writing for the sake my of my own sanity.\n\nSo, for the few of you who have managed to find this, welcome to my world, make yourself at home, and as always... feel free to comment." . "2007-02-05T16:04:26"^^ . . . "2007-02-26T12:41:23"^^ . "Steven Johnson makes excellent points in defense of “hipster” parents" . "Steven Johnson has an excellent post on his blog... it's a \"close\" reading (I love that phrase... haven't really used it since grad school) of a David Brooks column on hipster parents. Johnson's characterization of Brooks' column as \"breathtakingly superficial\" is good medicine for those of us who, for whatever reason, have tried to maintain some connection to the life we had lead up to the point of conception of our first child. While Johnson's most interesting point doesn't wholly apply to my situation... he is more interested by the trend of urban child rearing... it does do a great job of knocking the legs out from under a pompous piece that is little more than a button down tight-ass assault on what its author sees as a silly, style hungry, left leaning, trend of alternaparenting." .